Henry Spencer Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi- abstract monumental bronze sculptures which are located around the world as public works of art.

Henry Moore pioneered a new vision for modern sculpture, becoming a global star within his own lifetime. He is best known for his monumental bronze sculptures but he also made carvings, drawings, prints and designed textiles and tapestries.

Henry Moore was an English sculptor whose organically shaped, abstract, bronze and stone figures constitute the major 20th-century manifestation of the humanist tradition in sculpture. Much of his work is monumental, and he was particularly well-known for a series of reclining nudes.

Henry Moore was probably the quintessential British sculptor of the 20 th century. Non-Western art was crucial in shaping his early work, leading European modernists were later influences, and Moore united these inspirations was a deeply felt humanism.

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Henry Spencer Moore (1898-1986) was one of the most important British artists of the twentieth century and arguably the most internationally celebrated sculptor of the period. He is renowned for his semi-abstract monumental bronzes, which can be seen all over the world.

Henry Moore (1898-1986) was one of the twentieth century's great sculptors. First emerging from the relative obscurity of the radical modernist movement in England in the 1920s, Moore quickly established himself as one of Britain's leading young artists.

Henry Spencer Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi- abstract monumental bronze sculptures which are located around the world as public works of art.

Henry Spencer Moore (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art.

A guide to the Modernist artist Henry Moore, a titan of post-war British sculpture, whose work blurred the line between abstraction and figuration